Showing posts with label Research/ information. Show all posts
Showing posts with label Research/ information. Show all posts

Monday, April 30, 2012

info

 RESEARCH AND INFORMATION

*highlighted important info.
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*highlights quotes 
 David Carson is a Texas born graphic designer mostly known for his use of experimental typography. During his early years Carson worked as a sociology professor but put most pride in his professional surfing career, ranking ninth in the world during his college days.
In the early eighties Carson worked as a teacher for the Torrey Pines High School in San Diego but soon he found himself attending a two week course in commercial design. Carson had found his new calling and spent a bit of time as a part time art director for a surfing magazine and then part time at a skateboarding magazine called Transworld which allowed him to experiment and create his signature ‘grunge’ style dirty type combined with unconventional pictures.
Carson became the art director of the magazine Beach Culture in 1989 and even though the journal only produced six issues until it folded Carson received over one hundred and fifty awards in design. David Carson was hired as the director of Ray Gun Magazine in 1992.In Ray Gun, an American alternative rock and roll magazine, Carson’s “layouts featured distortions or mixes of 'vernacular' typefaces and fractured imagery, rendering them almost illegible. Indeed, his maxim of the 'end of print' questioned the role of type in the emergent age of digital design” (http://en.wikipedia.org/wiki/David_Carson_(graphic_designer). Within three years the circulation of Ray Gun tripled thanks to Carson’s innovative ideas. David Carson has been named ‘the father of grunge’ for the work he had done with his dirty type. He was immersed in the hippy bohemian culture of California and had found his bliss.
After taking leave of Ray Gun in 1995 Carson founded his own design company which holds offices in both California and New York. This is also the same year that Carson publishes his first book the “End of Print” selling over 200,000 copies and printed in five languages this became the best selling graphic design book in the world. The “End of Print” features various one-man exhibitions throughout Europe and Latin America, Asia and Australia.
In 2000 Carson opened a small private studio in South Carolina and only four years later became the Creative Director at Gibbes Museum of Art located in Charleston, South Carolina, the same area as his studio. Carson’s design firm continues to flourish and has had major clients such as Ray Ban and Pepsi Cola. He is attached to his creations; his work is different from other designers at the time. Carson created a type of work that allows the viewer to become immersed in the art, “ I.D. magazine chose Carson for their list of "America's most innovative designers", a feature in Newsweek magazine said of Carson "he changed the public face of graphic design"” (http://www.davidcarsondesign.com/?dcdc=top/s).
Carson has achieved numerous design awards including Designer of the year and Master of Typography. In 2004 Carson received the great recognition of being the most famous graphic designer on the planet by the London Creative Review magazine. Recently Carson has decided to branch out into film and television, directing commercials and videos. He made a short film with the same title of his first publication, “The End of Print”. He appears in others work and continues to keep his firm running. There is a documentary on Carson that is currently being filmed and looks to include much of Carson’s work along with a pleasing soundtrack.
Looking at David Carson’s work is truly an experience. Your eye focuses on what is most important, like the product brand name, and then moves around the work to focus on the other aspects of design and color. Posters created for the tsunami benefit in 2005 has you center on the text which is separated to seem like a letter is missing in the word help. Its quite creative, youre eye visually adds an extra ‘l’ to make hell .Carson’s posters made for the Obama campaign convey all the hope and change Obama had hoped for in the campaign. His text and placement makes the poster easy to look at but also incredibly fascinating to the viewer with letters that can interchangable with a consistant organic style.
Personally I believe that Carson’s work with Ray Gun Magazine is his most successful and creative pieces. The grungy text that jump started an era of design still stays as a common design technique today and I think it is beautiful. The text conveys a feeling which is what I believe a lot of designers try to achieve. Ray Gun not only started David Carson as a world phenomena but shaped Carsons work. Carsons designs at that time were new to people and really sent an image of grunge eighties style simply through text. Everyone else is simply trying to attain what Carson was able to do and still does today.


Principals of Design


David Carson - Bio

David Carson is principal and chief designer of David Carson Design, Inc. with offices in New York City and Charleston, SC.

Carson graduated with "honors and distinction" from San Diego state university, where he received a BFA degree in sociology. A former professional surfer, he was ranked #9 in the world during his college days. Numerous groups including the New York Type Directors Club, American Center for Design and I.D. magazine have recognized his studio's work with a wide range of clients in both the business and arts worlds. Carson and his work have been featured in over 180 magazine and newspaper articles around the world, including a feature in Newsweek magazine, and a front page article in the new york times . London-based Creative Review magazine dubbed Carson "Art Director of the Era." The American Center for Design (Chicago) called his work on Ray Gun magazine "the most important work coming out of America." His work on Beach Culture magazine won "Best Overall Design" and "Cover of the Year" from the Society of Publication Designers in New York.

Carson's first book, with Lewis Blackwell, The End of Print, (forward by David Byrne) is the top selling graphic design book of all time, selling over 200,000 copies, and printed in 5 different languages. The work featured in The End of Print is the subject of various one-man exhibitions throughout Europe and Latin America, Asia and Australia. Carson's other titles include 2nd Sight, Fotografiks (with design historian Philip Meggs). He has two recently released books, TREK and The Book of Probes with Marshall McLuhan. David is also art director for the Mcluhan estate("the medium is the message").

Carson lectures extensively throughout the world, as well as at colleges throughout the U.S., including Cranbrook, ARTcenter, Notre dame, RISD and Cal Arts. he has had numerous one man exhibitions of his work worldwide, and has spoken at over 100professional symposiums, including "Designer As Editor" at the Design Institute in Amsterdam. He teaches a week long workshop at the school of visual arts in NYC each summer.

The International Center for Photography (NY) singled out Carson as the "Designer of the Year" for his use of photography and design. Print Magazine proclaimed his work "Brilliant," while USA Today described it as "visually stunning," adding that his design of Ray Gun Magazine "may actually get young people reading again.

"Typography, a title published by Graphis magazine (NY), lists Carson as a "Master of Typography." I.D. magazine chose Carson for their list of "America's most innovative designers". A feature in Newsweek magazine said of Carson "he changed the public face of graphic design". The graphic design publication Emigre devoted an entire issue to Carson, the only American designer to be so honored in the magazine's history. And in April 2004, London based creative review magazine calls David, "the most famous graphic designer on the planet". David recently picked up 4 gold awards at the Charleston ADDY awards, including a "special judges award" for "professionalism".

In the past few years, Carson has branched out into film and television to direct commercials and videos. He directed the launch commercials for Lucent technologies and teamed up with William Burroughs in Carson's short film, "The End of Print". He also collaborated with Harvard Business School professor John Kao on a documentary entitled "The Art and Discipline of Creativity." David designed the worldwide branding campaign for Microsoft in 1998, as well as the worldwide advertising for Giorgio Armani (Milan). He has appeared in advertisements endorsing Apple Computers, Samsung monitors and various paper companies. Carson has art directed and designed Surfer, twSkateboarding, twSnowboarding, Beach Culture, and Ray Gun magazines. He has an extensive list of international clients: Nine Inch nails, Toyota, Mercedes Benz, Bank of Montreal, Microsoft, Quiksilver, Meg Ryan, David Byrne, Bush, Pepsi, and Xerox.

David is featured in both "The History of Graphic Design" by Philip Meggs, as well as"The Encyclopedia of Surfing" by Matt Warsaw.

He currently serves as Creative Director for the Gibbes Museum of Art in Charleston, and recently designed a special issue of Surfing Magazine titled "Explorations" which came out in July of '04. He also recently directed a television commercial for the progressive UMPQUA Bank in Seattle, Washington.

David's work continues to be subjective and largely driven by intuition, with an emphasis on reading material before designing it, and experimenting with ways to communicate in a variety of mediums. Carson remains a hands on designer, keeping his studio small and mobile.

Source: http://www.davidcarsondesign.com

The Role of Typography

Graphic Design is a very challenging creative and artistic job. Graphic designer has to be able to solve the task given and comes up with the idea of visual communication which not only attractive but yet persuading the viewers/readers to grab the message behind it and arouse the emotion, logic and certain needs. Generally, graphic designer use a lot of pictures, symbols, letters and any other graphic elements.

Sometimes, Graphic Designer is assigned to do the lay out or composition of many words or long sentences on many pages. In this case, letters or typography is no longer as an additional element but they are the main element of the graphic communication known as books, brochures or catalogue.

Either as an additional or main element, typography has a very important role to determine the result of visual communication. Many designers think that the most important in design is the thought or the idea and how it would be executed. They consider typography as an additional element.

The truth is that typography could be the main idea of the graphic communication and could be the only effective visual communication. In some cases, we found that the mistakes of the typography usage could ruins the whole design no matter how good the design is. The result is that the viewers/readers couldn’t get the message that we try to deliver. Some designers, especially the beginners don’t have the sense of harmony (yet) which is one of the graphic design principles. They were inclined to use fonts based on what they like, even more, they use them almost in same size, without considering the harmony, balance and yet headlines, sub headlines and content.

Choosing the type of fonts has some consideration, which are:
- the style of design (classic, modern or futuristic style)
- what design is about (the product)
- the size of the media
- how much information to put on

Try not to use too much kind of font on 1 page, two different types of fonts is the best. You can play around by make it bold, italic, use different size or different colors to make them looks vary.

Top 7 Font Categories

The exercise of classifying fonts is not an easy one. New fonts are constantly introduced and there is no standard within the typographic arts.

The classification system described here is based on the book Typographic Design: Form and Communication by Rob Carter, Ben Day, and Philip Meggs. This classic text groups typeface styles into six manageable categories covering their origin and use. I've added a seventh category for decorative fonts. Some systems use as many as 30 different categories.

1) Old Style Fonts
Early font style from the Venetian artisan Aldus Mantius. Characterized by its bracketed serifs and angled weight emphasis on the rounded forms and tops of lowercase ascenders.
Examples: Garamond, Minion, Goudy, Palatino

2) Italic (Script) Fonts
Italic letters slant to the right. Some italics are based on handwriting with connected strokes and are called scripts.
Examples: Snell roundhand, Brush Script, Garamond Italic

3) Transitional Fonts
Serif fonts developed in the mid-1700s when typestyles evolved from Old Style to Modern. Examples: Times, Baskerville, Caslon

4) Modern Fonts
These typefaces have extreme contrasts between thick and thin strokes. Modern typefaces evolved from Transitional styles late in the 1700s.
Examples: Bodoni, Didot

5) Slab Serif Fonts
Slab-serif fonts, developed during the Industrial Revolution of the 19th century, are bold and easy to read with large, square serifs.
Examples: Aachen, Clarendon, New Century Schoolbook, Rockwell

6) Sans Serif Fonts
First introduced in the early 1800s sans serif typefaces did not become widely used until after World War II. French for "not" sans serif fonts do not have structural details on the end of strokes. Stroke weights are often uniform.
Examples: Univers, Helvetica, Futura, Verdana

7) Display Fonts
Type that is usually used in headlines to attract attention or as decorative initial capitals. Examples: Blockhead, Funkhouse, Hobo, Rosewood

By: Mary Beth & Paul Trautwein / http://graphicdesign.about.com/ 

David Carson Presentations